Daniel Mancini's first introduction to music was through the medium of film , as a small child the memories of places visted and explored all came with a piece of music to set the mood and emotion . Having a very musical mother and a technical father , electronic music and film soundtracks were around as part of everyday life. This gave him a good insight in moods and emotion that are contained within music and film . The urge to make sound and noises led to him purchasing various synths , computer related electronic instruments and using almost anything as a instrument to create a piece of music.
Living all his life in London. Daniel's music productions come with a big dab of North London's best music scenes. Since he can remember he has been around music. "The first time i can think of is in the mid 80's going to parties with the older lot. Being told look after the sound system". They told me "If the red light comes on, turn it down". Excellent teachers !!!!!
Daniel Mancini a.k.a Deboy introduces a label
to the scene, Inbred Recordings. A big talent,
Deboy’s musical style is influenced by all things deep and
electronic fused with a love for early Acid House.
Daniel's interest in sound also extended to the involvement & interest in how the music is amplified from and very young age . His Father was an audio enthusiast , with a juke box in the kitchen , High quality Hi-Fi with rare and unique pieces of audio equipment in the sitting room .
" we had a few cases of valves always around , we used to smash them because i liked the sound "
His neighbours run a mobile disco setup ( this is the early 80's ) , with lots of homemade , carpeted speakers .There was always sound being played loud . As soon as an opportunity came along , He helped out with setting up a party for the older lot , who were playing at a birthday party up york way in a house .
The door was bricked up , so you had to climb through the window to get in , think it was richard & julie's 17th , not sure . i was told to sit by the amps and skin up . and .
" if the red light comes on a lot , turn this down . if the red light don't come on much , turn this up " .
i was 12 . From then on he realised how much more to the production there is in the Sound / Music world . The next 10 years where spent observing and learning production , my family had lots of very interesting friends , who where very musical or who's interest in music was amazing to see from my eyes .
" it will work with what we have got in front of us "
It soon became clear that its probably a better option from a production point of view to stick to one P.A manufacturer , " i had listened to lots of different companies , some professional , some not so professional " .
We had decided that d&b audiotechnik supplied by john tinline ( encore pa ), was the best option in all situations & environments , i still use it today .
Around the year 2001 , by default daniel and his friend bilbo had been in attendance for a few years and become the production at a private party in norfolk , we had been supplying sound systems , engineering and staging , but it needed to be organised properly from production , event and sites point of view , " it had grown by 2006 to a lot of people which meant more production , stages , sound , lights ( i will point out , mark england who is an inspiration and master , more than capable of running the whole gig , but stuck to lights and we left him to it ) , then grew even more to a we need more situation . it ran its course and myself and bilbo had separated the way we did it a few years before , i ran the crew , production and provided kitchen / fun , he supplied the engineers and stage crew . we grew up together , he will always be my friend , business is business , and if your good at it it makes it hard to give in …
After a while production became a major part of life , the experiences we had over the years at kimberley where an eye opener to all aspects of production & site .
Ben taylor , who organised and put the whole thing together , became very impressed with the results i got .